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THE READER
Cut and Dry
The Reader is the eighth artist to take part in Has Art?, a twelve-part series of exhibitions inaugurating the gallery's new space. Each month, for one year, artists will be paired with a writer and a page from Stéphane Mallarmé’s Un Coup de Dés. The writer will provide a critical response to the work as it relates to the poem as well as offer scholarship about the artist’s practice as a whole. As the solo exhibitions progress, a publication will grow and the imperative of the group show will emerge. The Reader joins Isaac Layman, Jeremy Shaw, Bert Rodriguez, Wynne Greenwood, Carolina Silva, Cris Bruch and Elena del Rivero in this ever-evolving exhibition.
You can follow the progress of the publication and the exhibition HERE.
A printable PDF copy of Has Art? is also available upon request
Simply email: scott@lawrimoreproject.com
IT WAS NUMBER
stellar issue
EXISTED HE
other than as a scattered hallucination of agony
COMMENCED HE AND CEASED HE
upwelling but denied and closed when apparent
at last
by some profusion widespread in rarity
CIPHERED HE
evidence of the sum if only one
ILLUMINATED HE
IT WOULD BE
worse CHANCE
to
more nor less
indifferently but as much
Falls
the plume
rhythmic suspense of the sinister
to bury itself
in original forms
not long ago whence sprang up its delirium to a peak
withered
by the identical neutrality of the gulf
Cut and Dry
by Elias Hansen
It is all of us or none of us.
I still see us as little kids together. That picture of us at the picnic table with jam smeared all over our faces. We are only
children, young men with big bodies and even bigger expectations hoisted onto our shoulders. We never thought anybody
would take us seriously, we never thought anybody would even notice us. It seemed like it would always just be us in that tree
fort, singing songs and drawing stupid pictures.
If there were something sacred to hold onto, we’d have held onto it.
But you get to be this age, no diploma, no reasonable job skills, you’ve got to make a choice. You write your name on the wall
enough times and it’s already your job.
Read has built his own empire of visual vocabulary using the graphic and physical building blocks of books, labels, hand
written text, font styles, and advertising. His books are published through Operation Madman publishing company. This book
is an original plagiarization, stolen from existence and returned to the people in a condensed form. It is a mix tape of the last
100 years of graphic design.
Read has extensively studied graphic design from a consumer, street-level approach. He is a workingman, and a workingman’s
artist, creating work about our obsession to mark our physical presence in the world. As long as I have known Read, he has
produced museum quality work for public exhibition anonymously, with no intention of economically benefiting from his work.
This is his first gallery show.
The packages I receive in the mail from Read are some of his best work. Envelopes built obsessively out of stickers and old
cigarette packs. Boxes full of lead type, MREs, tokens, stickers, strange photographs, found notes. To be able to find the
humor in the sadness of the human condition is a unique talent. Read is able to capture this humor and reproduce it without
seeming nostalgic or condescending. He is an observer, bringing to his art a true presence of now.
Perhaps jail lies ahead. Maybe he’ll get beat up. He could go crazy. I’ve definitely seen that happen. Some guys get nerve
damage. They start pissing themselves in the night. Or you can reveal your real name. Or you can keep your two identities
separate, creating subtle jokes that only people close to you understand. Sometimes it’s not so clear. Some ask, some tell, some
do.
It would be hard not to explain Read as a gamer, an operator, an agent in the truly intentional sense. But this isn’t liberation and
salvation.
We’re in the thick of it. If there were a way to explain it, I would have already.
“Shine don’t don’t never rust”
TAGS: The Reader, Operation Madman, Read More, Boans, OYE, Graffiti, Booker, Read More Books,