The relationship between occupied spaces and occupying bodies is a shifting one; we subjectively make our built world; thereafter it constructs us as occupying subjects. Working at the intersection of art and architecture, Alex Schweder understands our built environment as a site for playing out fantasies about our bodies. Drawing from a history of buildings designed around perfect bodies, his work seeks to expand this discourse to the experience of lived fleshy bodies. Architecture does not often pose difficult questions to its occupying bodies; art does not often publicly explore uncomfortable topics outside of museums and private spaces. However, at their intersection art and architecture might more productively explore the complicated facets of being human.