///Annie Han + Daniel Mihalyo Lead Pencil Studio

Annie Han and Daniel Mihalyo are Seattle-based collaborative artists who explore the intangible conditions of architecture. They were selected as an Emerging Voice in 2006 by the Architecture League of New York, named STRANGER GENIUSES in 2006, awarded the Rome Prize for architecture in 2007, and have completed residencies at the Center for Land Use Interpretation and the Headlands Center for the Arts. Upcoming museum installations include: The Exploratorium, San Francisco, CA (March 2007) >>> Weatherspoon Art Museum, Greensboro, NC (2008) >>> Boise Art Museum, ID (2008). Their first one-person exhibition with LAWRIMORE project opened May 3rd, 2007 and ran thru June 16th.

ARRIVAL at 2AM 2007 Wood, glass, filament, string, steel 13 x 30 x 8 feet [SOLD]

The greatest rush comes just inside the door, in a brand-new installation of two reflective black "windows" hung high on the wall of the gallery with light-blue strings that stretch to steel plates fixed on the floor as though the strings were beams of light coming through the windows and falling on the floor. The steel plates are painted gray so as to look like pools of light. - Jen Graves The Stranger Seattle, WA

4 Corners, 2007 Welded wire Dimensions Variable P.O.R.

Sharing the main space is a minimalist work composed of four welded metal sculptures suspended high in the air, evoking high, cobwebbed corners, dusty with neglect. The corners make you feel that if you step within their perimeter, you're occupying created space—you step into the piece itself. This work is a neat shorthand: Here, with these four objects, is a room; only somehow, it's not an empty box in a naked gallery but a room in a building fraught with history, and someone else's old dirt. -Adrianna Grant, Seattle Weekly.

4 CORNERS, 2007 [Detail]

6 COLUMNS, 2006 Government grey nylon 12 x 18 x 1 feet Edition of 3 $8,400 [Ed 1/3 ON HOLD]

MARYHILL DOUBLE - Project Description: Last summer, artists Annie Han and Daniel Mihalyo assembled a full-scale architectural double of the Maryhill Museum of Art made entirely out of scaffolding and construction netting. Maryhill Double, a Creative Capital funded project, was built on private ranch land one mile due South of its namesake and across the deep chasm of the Columbia River Gorge. The 6,000 square foot temporary monument resided in the stark Oregon grassland for three months. Viewers were able to transpose themselves mentally from the original museum enclosure to its double and back again in a contemplative exercise that focuses attention on the intangibles of contained space, scale perception, land use, authorship and institutional history.

MARYHILL DOUBLE - WALKING ANALYSIS, 2006 Video of a project realized Fall 2006 on the border between Oregon and Washington DVD + 16 x 20 inch photograph Edition of 4 $4,000. [Ed 1/4 SOLD]

Maryhill Double: Sky Section 2007 Lamda print mounted on Plexiglas, steel shelf Ed.25 $1200 [Eds 1,2,3 of 25 SOLD]

Maryhill Double: Sky Section 2007 (detail)

Double creates an experience that compels visitors to consider space—in the structure's relation to the distant original—as well as the beauty of its sprawling desert setting. Certainly, the latter is the more potent effect created by Double. As in a work like Christo and Jeanne-Claude's Running Fence in California's Sonoma and Marin Counties, the presence of a foreign, man-made structure among uninterrupted nature is disorienting and forces a viewer to observe, perhaps more acutely, the environment it has infiltrated.-John Motland, Portland Mercury

Maryhill Double; South Elevation Lambda Print 30 x 40 inches Ed. 5 $3000 +$500(frame)

Maryhill Double: SW Oblique 2007 Lambda print 30 x 40 inches Ed. 5 $3000 + $500(frame)

Marryhill Double: West Elevation, 2007 Lambda Print 30 x 40 inches Ed. 5 $3000 +$500(frame)

Maryhill Double: Twlight 2007 Lambda Print mounted on Plexiglas, aluminum. Ed. 3 $6500

Maryhill Double: Afternoon Aerial 1 2007 Lambda Print Ed 5 $1800 + $300 (frame)

COLUMNAR INTERSECTION, 2007 Graphite on paper, 1/2 inch Plex, aluminum mount $3,800

	DOWNER, 2004, Painted Welded Wire, Glass beads 10"w x 24"d 9"h $1,750. photo credit: Malcolm Smith, The Stranger

BOTH AT ONCE, 2002 Graphite on Mylar 24" x 36" $1800.

LAST CROSSING, 2003 Sumi Ink on Mulberry Paper Framed Triptych 24" x 84" [SOLD]

OVER UNDER, 2002 Graphite on Mylar 24" x 36" $1800.

SNAPSHOTS, 2005 94 manipulated snapshots, DVD loop, 17" flat-screen monitor/player Edition of 3 $3,500 [Ed 1/3 SOLD]

SECTIONAL LANDSCAPE, 2002 Lambda Print on Paper Scroll 36" x 82" Edition of 2 $2,500.

TRANSMISSION LOOP, 2004 Painted Basswood, Colored Glass 7" x 7" x 12" $4000 (series of 7)

LAST COLUMN, 2005 Clay, fiberglass, bass wood, steel plate wall-mounted table 6" x 20' x 8" $4000.

MINUS SPACE: FOOTINGS, 2005 Plexiglass, Visquene 8' x 8' x12' P.O.R. Installation view: Henry Art Gallery University of Washington

BILLBOARD SKETCH 7, 2004 Pencil on Paper 11 x 8 inches [SOLD]

NON-SIGN, 2004 Mixed media 48 x 28 x 18 inches [SOLD]

2x, 2004 Welded wire, glass beads, nylon string 8 x 6 x 17 inches [SOLD]

AFTER, 2005 Graphite on Paper 44" x 44" with Plexiglass Face Sheet Frame [SOLD]

MATRIX 1, 2002 Pencil on Graph Paper 8" x 11" $500.

BILLBOARD SKETCH 4, 2004 Pencil on Paper 11 x 8 inches [SOLD]

INVERSION, 2002 Welded black annealed wire 48 x 44 x 48 inches [SOLD]

BILLBOARD SKETCH 1, 2004 Pencil on Paper 11 x 8 inches [SOLD]

BILLBOARD SKETCH 2, 2004 Pencil on Paper 11 x 8 inches [SOLD]

TOMB OF ORPHEUS II, 2005 Graphite and charcoal on paper, 44. x 44.5 inches, [SOLD]